I have done my best to give you an idea of what this is about without giving away the plot and the ending, as Stranger Things is best enjoyed spoiler free.
I just want to get this out of the way. Netflix is bringing about a new golden age of television on the internet. As it doesn’t rely on selling advertising space in order to make money, Netflix allows its shows more freedom to express themselves and they can afford to take more chances of smaller projects that might have been missed by short sighted executives who need to make a quota.
One of these projects was Stranger Things. It has become somewhat of a hit amongst Netflix subscribers. With it’s powerful and evocative story line, characters and 80s charm.
The story begins with a group of four boys playing Dungeons and Dragons when it’s home-time for the friends of twelve year old Mike who have come round to play. When he arrives home and there is no one around one of the group, Will appears to be attacked and consequently goes missing. The day afterwards a mysterious girl with a shaven head and telekinetic powers appears, kick starting a slow descent into the mysterious goings on surrounding the town of Hawkins, Indiana.
With it’s depiction of a great adventure on bikes, the resourcefulness of youth and having to hide a mysterious new friend from both The Authorities and parents, you can see how Stranger Things is clearly heavily influenced by those great 80s adventure films like The Goonies and E.T. All this comes together to give the whole thing an amazing charm and a sense of nostalgia for that period. It takes the adventure genre and manages to mix in a massive dollop of Stephen King mystery and thrill riding. The set pieces, the clothes, the movie posters, the music. Even the camera and direction style are all period accurate, and they all come together to create one of the best 80s series not made in the 80s.
I must doff my hat to all the actors involved. Winona Ryder makes a triumphant return to form as Joyce, the beleaguered mother of missing child, Will. Her apparent descent into madness after the disappearance of her son was done well, and though to the outside world it may appear that she is simply going mad with grief, we as the audience are given snippets throughout to give her a method to her madness. The young children all give great performances, Finn Wolfhard as Mike and Millie Bobby Brown (who really shaved her head for the role) as Eleven, or ‘El’ for short are especially great managing to keep a sense of innocence despite some of the horrors they have witnessed. David Harbour as the police Chief Jim Hopper also deserves a mention for his performance as a man battling his own demons as he helps to search for Will and unravel the mystery surrounding his disappearance. It is important to note that they have used age appropriate actors of the roles of the pre-teen and teenager characters which is always nice to see. There’s something quite jarring about seeing people who are almost hitting thirty playing an 18 year old.
Each episode is a chapter of a story, and though it never leaves you in the middle of the action, like Lost it does, it does have a cliffhanger at the end so you’re always begging for more. I watched it over two days, and I really regret starting it when I didn’t have a spare eight hours to watch it all at once. It manages to drip feed you the information perfectly throughout giving you answers or part answers to questions you’ve been gathering in your mind from the start. It always manages to give you just the right amount to get just enough to satisfy your hunger for more but never too much that you feel like you know what’s going to happen before it does. I would say that around episode seven (there are eight all together) there are one or two moments I felt it was running out of steam a little, but then it pulled it right back for the finale, which was 55 minutes of suspense and excellent payoff.
All the way through there is a sense of foreboding and terror that gives it an edge that makes it hard to tear yourself away from the screen, though it always makes sure to take a break from the tense energy every now then to show kids just being kids and having fun. Which can be a nerve settling release when you’ve just spent the last twenty minutes on the edge of your seat shouting at the screen for the characters to be safe. Which is probably my biggest criticism, it was so tense and nerve wracking at times I found myself getting a little exhausted.
All of this terror giving way to relative calm is beautifully tied together by the music, which is quite possibly my favourite thing about Stranger Things. The synth wave based soundtrack has been lovingly constructed by Kyle Dixon and Michael Stein. It serves to really draw you in, and perfectly balancing the soft, gentle moments and the more intense scenes perfectly, it really gets under your skin and is another mark of how Stranger Things is able to effortlessly evoke that 80s feeling.
80s movies. Stephen King. Really good kids adventure movies. Really good mystery thriller films. Great acting. Well played out story. Great Directing. Great Writing. Amazing Soundtrack. If you love at least one of these things then you will enjoy Stranger Things and I wholeheartedly recommend you watch it at the first available opportunity.