Blood Red Throne – Union of Flesh and Machine Review

When I first heard this band’s 2007 album Come Death they quickly shot to the top of my favourite bands list. They were everything I’d been looking for since I got into death metal. They had plenty of fast technical riffs but also knew when to slow it down which is something death metal bands often forget. A textbook example of the genre, this is a band you could show someone if they ask “What is death metal?”. Over their next 3 releases they’ve been consistently good but unfortunately “Union of Flesh and Machine” was a disappointment to me, in a pretty unusual way.

 

blood-red-throne-union-of-flesh-and-machine-e1465305129574

 

This newest release marks a change in singer for the band and it is immediately noticeable. The new singer’s voice is a bit lower giving the songs some more bass. I feel like the band might have adjusted their guitar sound to match his voice because everything sounds a bit lower. I don’t know if I’m sold on this new sound, it does make them sound heavier overall but they lose some distinction in the riffs and at times it can sound like a dirge.

 

The first couple of tracks “Revocation of Humankind” and “Proselyte Virus” are great openers. They hit hard, fast and never slow down. As you can tell by the album cover and song titles BRT are unabashedly death metal. All the songs are about murderin’ or gross things happening to people and that’s fine. Sometimes I just want a band that doesn’t take themselves too seriously especially in the metal genre which I believe to be inherently ridiculous to begin with.

 

Track 3 is where things start to get problematic for me though. First red flag is the song title “Patriotic Hatred”, sounds like a polite way to describe racism. The next thing I noticed was the voice over at the start of the track and my heart sank. They’ve used some voice over from the video game Hatred which is a horrible game both quality wise and in concept. Hatred gained some bad publicity October 16th 2014 when it’s first trailer hit. It’s essentially a game where you control a white guy with long black hair and a trench coat who decides it’s time commit a mass shooting. You’re literally given points for killing innocents and police officers and in the end blow up a nuclear plant to take out most of New York.

 

Basically it’s the game that all politicians think Grand Theft Auto is. They touted it as a response to political correctness in games so naturally it was championed by far right gaming hate groups like gamergate. Then it came out and people realised that in addition to it being a tone deaf white power fantasy it was also a crappy game and it got destroyed by any review site that bothered to cover it (most refused). The icing on this poop cake is that the developers (Destructive Creations) made the news again for alleged links to hate group Polska Liga Obrony (Polish Defence League) which they of course denied.

 

I messaged BRT just to make sure they weren’t racists and while they were fairly condescending in tone they did explain their side:

 

 

 

Why Blood Red Throne decided to hitch their wagon to a garbage fire like Hatred is beyond me. Frustratingly the song is actually pretty good! Just give me a version with the voice over track muted and I honestly would have liked this album a lot more.

 

 

After this momentous low point the album gets better. “Homicidal Ecstasy” kicks in with a really powerful main riff. It a prime example of how to slow down your death metal but still keep it heavy and intense. The title track “Union of Flesh and Machine” is another standout track but after that the album does have a bit of a lull. There are a few songs that sound similar to previous tracks in structure but I’ve played in metal bands and I know how easy it is to form song writing habits so I can’t judge too much.

 

The last two tracks are pretty much bonus tracks. “Leather Rebel” is a Judas Priest cover in a death metal style of course. Priest songs work well when a heavier band covers them probably because they influenced their style anyway. They approximate Rob Halford’s high vocals using the backup vocalist’s higher pitched screeches. I’m not that much of a fan of these type of vocals, he sounds a bit like Tokka from Teenage Mutant Ninja Turtles II: Secret of the Ooze.

 

tokka

 

The last track “Mary Whispers of Death” is a redone track from their first album “Monument of Death”. Before I realised this I was going to say this was my favourite track on the album but I guess that just means I much prefer their old writing style.

 

I was really looking forward to this album coming out but it’s just been a massive disappointment in a multitude of ways. It’s a very rare occasion that my two favourite things video games and death metal come together but unfortunately it was in the worst way possible. If no more of my favourite bands could associate themselves with racist game developers that would be great, thanks. I can only hope that this is just growing pains because of their recent lineup change and hopefully they’ll be back on top form for the next album.

 

★★☆☆☆

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