Top 5 Remakes That Were Better Than The Original

As we groan in abject disdain as Hollywood pumps out more and more seemingly pointless remakes (hello Robocop and the-stuck-in-development-hell Highlander) we are in danger of losing sight of the fact that sometimes the remake can actually improve on the original. Yes, the percentages are low, for every Coen Brothers True Grit there is a bargain basement Get Carter, but remakes can sometimes surprise us, adding a new dimension to an old story, and in some cases (which there are two of on this list) new technology and visual effects can provide a more visceral experience.

I admit, I am a little bit of snob when it comes to remakes, especially those that don’t seem have a point to it; doing a remake for the sake of ego boosting or raising the profile of a particular actor/director makes absolutely no sense to me, there has to be an advance or something fresh whether it be political, technological, sociological, whatever… that the original either was lacking or fudged in the first place.

So here we are, my own personal top 5 remakes that were better than the originals.

1. Invasion of The Body Snatchers (1978)

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The 70s remake of ‘Invasion…’ is on every single one of these remake lists and usually at the top. The reason being because it is absolutely bloody marvellous. The original ‘Invasion…’ was released in 1956 and dismissed without fanfare by the critics but as time as passed it has been widely re-assessed as an allegoric masterpiece tapping into the paranoia and fear of the US populace during the rise of communism and the Soviet Union. The remake keeps the main themes intact, the dangers of conformity, or not asking questions of those around, of just blending into the crowd, of someone exerting complete control over your mind and body, but ramps up the visuals with some deeply disturbing and Cronenberg-esque body horror (see the scene in the garden with Donald Sutherland and bunch of replicated bodies writhing on the grass). And that final scene, oh that final scene, hopeful at first and then horrific afterwards, I dare you to find a closing scene that gives you such a conflicting shock of emotions. Also you get a very, very youthful Jeff Goldblum and Donald Sutherland with a moustache and perm. I don’t know what much more you would need.

2. The Thing (1982)

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A remake of an adaptation of book that has its own prequel, The Thing has its origins and tentacles all over modern cinema, but John Carpenter’s 1982 sci-fi horror is unparalleled in both technical achievement and as a perfect example of how to execute a simple plot in one location with small band of actors. We all know from a previous post how much i admire Kurt Russell and his glorious beard, but credit also has to go to the supporting cast, specifically Keith David as Childs and Donald Moffat as Garry (who has a cracking one liner during the tense blood test stand off). Like ‘Invasion…’ above, the main progression from the original is the special effects. Rob Bottin and his team create some effects and pieces so disgusting and strange that it’s both mildly stomach churning yet extremely difficult to look away. The Thing is not a complex watch but is a compelling one, and again like ‘Invasion…’ and all good sci-fi horror films, the ending is bleak but open for endless theorising, and I am not ashamed to say that I have watched the videos and read the message boards about whether or not Childs or MacReady or either of them is The Thing at the end (and it’s a heck of a rabbit hole).

 

3. The Departed (2006)

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A remake of the Hong Kong crime drama Infernal Affairs, The Departed is absolutely rammed to the gills of all the actors the Scorsese had on speed dial, apart from De Niro who was probably off making a shit comedy because he is De Niro. You’d think with all that talent, and egos probably, that The Departed would possibly sink under the weight but this is Scorsese and he is the king of keeping an ensemble cast in check (I’m guessing by boomeranging his eyebrows if one of them gets a bit feisty). This is one of those remakes that sort of doesn’t have a point to it apart from it being adapted from the Far East in order to suit the American market and usually that just doesn’t work (I’m looking at you Oldboy and Dark Water), but The Departed is one of those rare occasions  where everything just works. Damon and DiCaprio are the two sides of the same coin with Jack Nicholson, as unpredictable as ever, flipping between the two of them. The supporting cast is sublime (the scenes with Alec Baldwin and Mark Wahlberg out-yelling and out-swearing each other is worth the price of a dvd alone), the script has some wonderfully ornate foul language and strong twists and turns, and while it does run on a little long, The Departed just pips Infernal Affairs in high crime drama stakes.

4. The Fly (1986)

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Of all the body horror films The Fly is the one that stays with me the most, probably because it’s the most…. juicy. A remake of the 1958 film, it sticks to the core plot of mad scientist mixes atoms with a fly after a cross-contamination incident but takes the gore and excess to new heights. There’s acid vomit, a maggot baby, Jeff Goldblum (who obviously has good taste in sci-fi because this is his second appearance on this list) falling apart in the most grotesque manner possible, and some phenomenally vile set pieces. The 1958 version was shocking at its time, the visual effects disturbed and appalled in equal measure, but watching it now it’s almost amateurish, so Cronenberg’s remake is a prime example of how advancing technology aids and gives reason to a great remake.

 
5. Little Shop of Horrors (1986)

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I’m being bold here and letting you all know that I am not a fan of musicals. Most musicals bring me out in a serious case of hives. Just give me drama, give me comedy, don’t sing it at me. Ya dig? However, I will let Little Shop of Horrors through my musical defences. A remake of a Broadway musical which in turn was based on Roger Corman’s 1960 film, Little Shop of Horrors is an absolute blast. With its tongue firmly in cheek, it presents the story of sad old Seymour and Audrey, desperate to escape the NYC slum and end up in the possession of a strange plant that feeds on human blood. What follows is a bizarre, amusing and pleasingly camp 90 minutes with some wonderful musical song and dance routines, and some glorious cameos from Bill Murray and Steve Martin. The original 60s film wasn’t a musical at all, just a very low budget black comedy and it did work, but when presented with the 80s form with musical additions then you realise that this remake is exactly what Little Shop of Horrors needed.

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My Top 5 Musicals (for people who don’t like musicals)

I have a little confession to make.

I love musicals.

I love the stories, the romance, the songs! I love learning the songs and singing along, much to the annoyance of my housemates and neighbours (they dread Christmas and my annual Nightmare Before Christmas sing along), they’re quite often a bit of good old fashioned, campy fun.

Which is why I never understand it when people tell me they don’t like musicals, how can you not love escapist cinema in it’s purest form. For a couple of hours you’re going to get some great songs, a bit of a love story and a rolicking good time!

So, to try and spread the joy and my love of musicals to as many people as possible, I present to you a list of musicals that have often been accompanied by the phrase ‘I don’t like musicals, but I loved that!’.

5) The Wiz (1978, 127mins, U, Dir: Sidney Lumet)

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The Wiz, a Motown production, presents an alternative look at the The Wizard of Oz. Goodbye cute little Munchkins from the Lollypop guild, and hello urban wall dwelling graffiti munchkins!

I’m sure you’re familiar with the original story, Dorothy (here played by Diana Ross) ends up in Munchkinland and kills the Wicked Witch. The only way she can get home is by visiting the Wizard in the Emerald City, with Dorothy making friends with some unlikely heroes along the way.

As much as The Wiz sticks with the original plot it makes up for it with it’s wonderfully original design. It transports Oz from being a twee cute world into one of urban vibrancy. It celebrates African American culture, when it was first performed on broadway it was lauded for it’s roots in African American culture.

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This celebration is most present in the soundtrack. The songs are all wonderful and full of soul, the title of the original broadway musical is The Wiz: The Super Soul Musical “Wonderful Wizard of Oz”. As soon as they hit wonderland you’re taken back to that great era of soul, the mid seventies. 

Should see this film, it’s for a Sunday afternoon. Just look at Michael Jackson as the scarecrow there! Look at his little face, you wouldn’t to disappoint him, would you? Go watch it!

4) South Park: Bigger, Longer, and Uncut (1999, 78mins. 15, Dir: Trey Parker)

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Those of us of a certain age are sure to have watched this at some point. Due to its excellent story and writing, the fact it’s a musical often gets forgotten.

It’s rude, crude and sometimes kinda lewd.

All our favourite foul mouthed 8 year olds are here, and they have to go on an adventure to liberate their comedy heroes Terrance and Phillip who are to be executed for farting on TV.

Yeah, it’s as daft and as bitingly satirical as you could hope for from a big screen outing of one of the smartest shows on television.

The songs are wonderfully written and composed, especially with the Oscar Nominated ‘Blame Canada’. It’s here that we really see the influences of classic musicals such as Les Miserable.

If you want a bit of biting satire with your spontaneous music sequences then this is the one for you!

 

3) Rocky Horror Picture Show (1975, 96mins, 15, Dir: Jim sharman)

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One of the original Midnight Movies, Rocky Horror has delighted audiences for 40 years.

It was first recognised for being terrible, audiences would start dressing up and talking or responding to the dialogue on screen, giving the film it’s cult classic status.

Brad (Barry Bostwick) and Janet (Susan Sandon) find themselves with a flat tyre, so they knock at the door of the nearest mansion to use the phone (remember kids, people in the 70s didn’t have mobiles), where they find themselves in a musical house of horrors.

This is the film that gave us the Time Warp, a staple of school discos everywhere. It’s got Meatloaf riding a motorcycle through a wall, it has half naked men running about the place, and best of all it has Dr Frank ‘N’ Furter (played wonderfully by Tim Curry) the ultimate transvestite party boy who creates his own human toy.

I Rocky Horror is truly a beacon for the lost generation, for those that march to the beat of their own drummer, it’s united those of us who enjoy and revel in the non-mainstream, the freaks, the weirdos. Watch this if you have ever felt ‘out of place’, you may just fit in.

 

2) Pitch Perfect (2012, 112mins, 12, Dir: Jason Moore)

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The most recent film on my list; Pitch Perfect has the perfect mix of irreverent comedy and brilliant songs. Unlike the other films this one relies mostly on cover versions, making Pitch Perfect feel like the edgier, more grown up,  cousin of Glee.

The story follows Becca (Anna Kendrick) as she tries to make friends with the Barden Bellas, her college’s only all female acapella group. The Bella’s are fighting their way to get to the national championships and come up against some stiff competition.

The premise sounds kinda lame, but I promise that I have yet to meet anyone who has not been swept along with it’s amazing cheeriness, brilliant covers of some inspired songs, and fantastic humour (with just the right hint of a bit of gross out). A shout out goes to Rebel Wilson who mostly improvised her lines.

 

1) Little Shop of Horrors (1986, 91mins, PG, Dir: Frank Oz)

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And so we make it to the final curtain. Little Shop of Horrors is with Rocky Horror in the cult classic camp. Like many great films that have reached the hearts of the people this didn’t do too well at the box office and really found it’s home in, well, the home. It’s release on VHS and Betamax really gave this it’s cult status.

Seymore (the always lovable Rick Moranis) was out buying plants one day (for the flower shop he works in) and came across an unusual looking plant. He simply has to buy it, and then name it Audrey II after his crush. The delightfully high pitched Audrey who goes out with a scoundrel dentist played by Steve Martin. However, it turns out the plant only eats human blood… Dum dun duuuuuunnnnnn.

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There is nothing not to like here, it’s got bright, lovely and somewhat intimate songs (see Audrey singing ‘Somewhere That’s Green’ and not cry, I dare you!) to great scary moments. There’s thrills, there’s spills, there are moments where you’ll laugh, cry, and maybe wet your pants, if you’re into that kind of thing.

The puppetry was all the work of the Jim Henson Co. and it is astounding. There are stories I could tell about how they had to shoot certain scenes at super slow speeds and speed it up later so it syncs up with lyrics.

See this film! There is really no reason not to, the musical numbers are just fab and very original, there’s a mix of genres, the design is scrungy yet beautiful, the characters are just adorable and lovely. I would recommend the Blu-Ray version as you can opt to play it with the original ending. I won’t spoil anything, but it’s very different from the theatrical version.

My Favourite Childhood Books

I’ve loved reading from a young age and as a child my most prized possession was my library ticket so I thought I’d share with you some of my favourite books and book series from my childhood.

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I still have my very worn copy of this book and at twenty-eight I can still recite the entire book from memory. Before I could read, this was my go to book. Every day I would ask my parents to read this to me and I eventually learned the poem of by heart so I would then ‘read’ the book to my parents.

The Chronicles of Narnia

You’ll most likely all know the sorties of Narnia, the books follow a group of children who find a magical world where they meet Aslan the lion who helps them fight evil in the land and claim the throne. I say I love the series but I mostly loved The Lion, the Witch and the Wardrobe. A group of kick ass kids fighting queens and talking to animals? Yes please.

Goosebumps

Around the age of eight I was getting better at reading and Goosebumps came into my life. goosebumps-featI can’t even begin to tell you how much I loved these books. It was my first glimpse into the world of horror and shortly after I (and the rest of my school) started reading them, the TV show was aired in the UK. It soon became ritual for my friends and I to read a book then watch the episode and discuss if we preferred the book or TV episode better. Goosebumps are a collection of horror books, each with an individual story, written by R.L. Stein. My favourite books include Say Cheese and Die, Let’s Get Invisible, What Lies Beneath the Sink and Be Careful What You Wish For. These books lead to a love of mystery and it was the first time I realised that not every story has a happy ending.

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Staying in the same category as Goosebumps, Point Horror fiction were horror books written by various authors, my favourites being R.L. Stein and Linda Cargill.
These books were a step up from Goosebumps, horror for a slightly older audience. I would have been around thirteen or fourteen when I started reading these books and the fact that they included some romance (sometimes it didn’t end well) made me feel like I was reading more grown up fiction. My favourite books included The Boyfriend, The Snowman and The Lifeguard.

Sweet Valley High

1758847Now it’s time to admit a slightly more embarrassing collection of books I loved. I turned thirteen and suddenly realised that boys existed and took to the world of books to understand how they worked. Sweet Valley High follows the lives of identical twins, Jessica and Elizabeth, as they made their way through high school. If I’m honest, I don’t remember too much about individual stories in this series, I just remember feeling really grown up reading about high school relationships.

The Babysitter Club

BSC_Logo_(book_series)These books followed a group of friends who run a ‘Babysitters club’, each book is written in first person by the person named in the title (Kirsty wrote ‘Kirsty’s Great Idea’ and Claudia wrote ‘Claudia and the Little Liar.’) Claudia was my favourite character to follow; she was vice president of the club and always described as creative and arty. I basically wanted to be Claudia. The books basically told the story of children growing up facing normal childhood problems such as their parents going through divorce, sibling rivalry and friendship issues. They helped me with whatever issue I faced at the time.

Harry Potter

downloadI’ve spoken about Harry Potter time and time again so I won’t go too in depth but I could never have written this post without including the book series because from the age of around twelve, there was no book series that I enjoyed more. Harry Potter is the reason I still love reading so much, they made me understand just how amazing it is to get completely lost inside a fictional world.

My Top 5 Disney-Pixar Characters

 

Everyone loves Disney-Pixar. They’re some of the most amazing films that have been made over the last twenty years. They might be classed as children’s movies, but they have always been greatly enjoyed by adults as well. This is mostly thanks to their ability to tap into deep emotions and stories in a way that everyone can understand.

All their best characters are ones that have gone on a true emotional journey to learn something about themselves, and to grow as people giving them a deeper depth than many other kid’s films dare to go.

In this list I’m going to be looking at some of my favourite characters that Pixar have brought to the big screen.

5) Merida (Brave)

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Who is she?

The feisty red headed Scottish lassy. She’s an independent young lady who doesn’t want to conform to what her mother considers to be ‘lady-like’. So upon discovering her mother expects her to marry a suitor she’s never met before Merida runs away and accidentally turns her mother into a bear. Like you do.

What makes her great?

she’s a princess (a Disney Princess technically) and she breaks all the rules of ‘traditional’ femininity. She fights, is awesome with a bow and arrow and shoves food in her mouth like she’s not been fed in a month.

Her lesson is to learn to bond with her mother. At it’s core Brave is about the mother/daughter relationship. As someone who had a fractious relationship with her mother growing up I’m not ashamed to admit I was in floods of tears at the film’s conclusion when Merida (and her mother) learn the other’s point of view and reach an understanding and reconciliation.

 

4) Carl (up!)

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Who is he?

A curmudgeonly old man who turns his house into a giant hot air balloon using nothing but some very strong string and some party balloons. Though he accidentally brings along Wilderness Explorer, Russell along for the ride.

Why is he great? 

The start of Up! has ten minutes of pure emotion. We see him fall in love with Ellie, their heartbreak at not being able to have children, and then growing old together. We also see the tragedy of Carl lose Ellie.

Carl’s whole world came crashing around him. As such he was unable to move past this, he was stuck trying to relive the life had shared with Ellie. Through his adventure and building (rather unwillingly) a relationship with Russell, Carl is able to learn to say goodbye to Ellie and to begin a new chapter in his life.

3) Joy (Inside Out)

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Who is she?

Joy is the cheery, and very yellow characters in charge of the feelings of happiness inside the head of Riley, a little girl who is struggling with a big move from Minnesota to California.

What makes her great?

Joy always has a need to be in charge, she feels that she cannot let Riley be sad, even when times are tough and Riley is having trouble with the big move, Joy will always find a way to try and keep Riley happy. However, when her and Sadness accidentally get lost in the long term memory Joy learns from Sadness. She comes to realise that not only is it OK to feel sad sometimes, but that it is important to feel sad in order to grow and heal as a person.

2) Wall.e (Wall.e)

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Who is he?

He’s the cute little robot left on planet Earth to tidy up the mess left by the humans, who are all on a really, really long space cruise.

What makes him so great?

All you need to do is look at him, he’s so cute and adorable. He roams the wasteland of the planet humans once called home. Still carrying out his intended purpose, despite all the others of his kind having burnt out due to the monumental task at hand.

As he wanders through the rubbish dump he finds beauty in the mundane and ordinary. He’s fascinated by Rubix cubes, light bulbs, lighters and ring boxes.

When Eve comes along his love to her is amazing, and helps her to learn to love in return

1) Woody (Toy Story)

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Who is he?

If you don’t know Woody you must have been living under a rock for the last 21 years. He’s the rootinest tootinest cowboy leader of the toys from Andy’s Room.

What makes him so great?

He was the first and the best. He’s the cowboy whose everyone’s best friend. Especially Andy.

For years Woody has been Andy’s favourite toy which has given him the position of leader. When Andy’s birthday comes along and a fancy new toy called Buzz Lightyear turns up, Woody can’t help but feel jealous at all the time Andy is spending with his new rival.

After nearly killing Buzz and getting them both lost in the big wide world outside of Andy’s room Woody has to get the two of them back in time before the family move to a new house.

Through the journey Woody learns that Andy will always love him. Even if he might spend time with another toy, Andy will come back, and the best way to be a friend to Andy is just to be there for him whenever he may need Woody. He also learns to befriend Buzz and something may seem like a threat can actually be a big asset.

The Costner Change Around

Because I don’t have that much going on with my life, I have recently discovered, much to my confusion, that I quite like most of Kevin Costner’s films. This would not have been a cool thing to admit 10 or so years ago where he was mainly a mocked man; that bloke that everyone pointed at and mumbled ‘he did Waterworld ya know.’ Most of the talk around Costner was about his various flops (The Postman, 3000 Miles To Graceland, Dragonfly) and his main claim to fame in the UK was playing Robin Hood with a pretty naff accent. He became a byword for mawkish sentimentality and box office losses even though this is the same man whose c.v. included The Untouchables and JFK.

 

In the past few years, Costner seems to have had a small resurgence, whether it be by taking small but effective roles (Man of Steel) or slipping in television and being ridiculously good (Hatfield & McCoys). Either way, it’s a good thing to see, even if he is still puncturing his good work with dirge on occasion (3 Days To Kill was an abomination). I could sit here and tell you all to go and watch JFK or Bull Durham to remind yourself or to understand that Costner is actually a fucking good actor, but I wouldn’t insult your intelligence as such because you should have watched those already (you really should). Instead, I give you a handful of lesser known cuts from Costner’s c.v. that deserve to be seen more.

 

  1. Thirteen Days

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Okay, okay, okay…. This films takes a hell of a lot of dramatic license with many things, in particular the size of the role that Costner’s character, Kenneth O’Donnell, had within the whole Cuban Missile Crisis itself, however Thirteen Days is a really solid political drama. Bruce Greenwood (who really should be President now he has played two US Presidents in his varied film career – which is more practice than most nominees get) is JFK who, after seeing surveillance showing the Soviets placing nuclear weapons in Cuba has to make a plan of action that won’t end in an all out nuclear war. It’s a film with very few action sequences (Pearl Harbour this is not and thank bugger it isn’t) and a whole lot of scenes of men talking with furrowed brows in various nicely furnished rooms. But this low key approach is extremely effective. Costner, however much a lie the size of his character’s role in the crisis was, imbues O’Donnell with a sense of control, the calm in the eye of the storm, and becomes the relatable locus for us gather around.

 

  1. The Company Men

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Before The Big Short blustered its way into cinemas, The Company Men, along with Margin Call, was probably the best film out there tackling the thorny issue of the 2008 financial crisis. While Margin Call took the more technical, real time approach, The Company Men took a more human route, focussing on the life altering effects of the collapsing institutions and downsizing. Costner plays the blue-collar, straight talking drywaller who takes his brother-in-law (Ben Affleck) in for work after Affleck’s white collar, corporate stooge is let go from his job. Five years ago, the combination of Affleck and Costner would have made me sellotape my eyes closed and place a bin on my head but alas time has passed and tastes have changed. Costner is wonderful in The Company Men, anchoring his and Affleck’s portion of the story with his typical understated gravitas. His role isn’t a big one, most of the heavy hitting is done by Tommy Lee Jones and Chris Cooper, but The Company Men was one of the more intriguing stepping stones in Costner’s journey in leaving his insipid late 90s film career behind.

 

  1. No Way Out

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No Way Out is a proper taut and tense homage to those twisty political thrillers of the 40s and 50s. It’s far more well regarded in the USA than it is here in the UK and gave Costner his big Hollywood break a few years after The Big Chill was meant to do the same before his scenes were left on the cutting room floor. Costner plays a naive Navy Intelligence officer brought into help the delightfully bolshy and desperate Gene Hackman to cover up a murder of a young woman that both of them happened to be sleeping with. It’s easy to see why this broke Costner into the big time, he pretty much carries this film on his shoulders with consummate ease, that youthful faced freshness of his comes good making you see how truly out of depth his character is. As the manipulations and plot turns pile up, No Way Out turns into a guessing game of who is playing who and then the twist at the end turns absolutely everything on its head. It’s refreshing to find a thriller that is over 25 years old and that still makes you go ‘oh shit’ at the end. See. It.

 

  1. A Perfect World

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A convict with a heart story… yaaay. But before you snort derisively and pooh pooh with vigour, I’m going to put it out there that this is one of my favourite Clint Eastwood films along with Unforgiven and Absolute Power. The story is a deceptively simple one. Costner plays an escaped convict Butch who takes a young boy as a hostage as he tries to flee the state. Eastwood is the Texas Ranger who has a past with Butch and, after learning of his escape, is determined to set things right. When I write this plot down it sounds absolutely ridiculous and mawkish to the hilt but Eastwood (who also directs) handles the material with such respect and care it’s so bloody difficult to not get drawn in and i’m not afraid to admit that I nearly cried at the conclusion. This is also one of Costner’s best performances in my very humble opinion, his Butch is a subtle and nuanced piece of acting, there is no massive grandstanding or lengthy monologuing; there is just great scene after great scene.

 

  1. Mr Brooks

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When you read the synopsis of this film and see that Costner is playing a serial killer you immediately think that you have another The Postman-esque flop on your hands. Costner is too All-American, blonde hair and twinkly blue eyed to pull off such a grotesque human being. However, the reasons as to why it shouldn’t work are the exacts reasons why it does. Costner subverts our expectations of him as an actor, and the type of character we usually see him portraying. We expect him to be a hard-working Joe with a nice family and a nice white picket fence around his house, and technically speaking that is what we get but with a seriously big difference. Costner is Earl Brooks, a massively successful, well liked businessman who has a secret life as the ‘Thumbprint Killer’. For the past two years, he has managed to keep his murderous urges at bay by attending twelve step addiction meetings under the guise of being a substance abuser, but his urges are becoming more intense as his id (played with relish by William Hurt) becomes more and more insistent that they take a victim. I can’t emphasis enough how much of a grim delight it is to see Costner take a massive step away from his comfort zone and play a frighteningly homicidal yet seemingly normal man. Yes, Hurt does have the more intensely manic role as the id, but Costner is the one doing the killing and you can see how much Earl enjoys it no matter how hard he has been trying to quell his urges. There are some silly little plot turns which threaten to veer Mr Brooks off in hokey territory, however, the presence that Costner and Hurt bring to the proceedings keeps the film on an even footing. Rumours of a sequel were floating around a few years back but have seemed to have fizzled into nothing, which is a massive shame as Brooks is a character i would have happily watched more of. So make the most of this one, and if you haven’t already seen it then get your life sorted out.

Totally Should’ve Book Tag

  1. Totally should’ve gotten a sequel

Pride and Prejudice, it’s my favourite book and the reason I have unobtainable relationship goals but I there’s one thing wrong with it, it’s that I just don’t know enough about Elizabeth and Darcy’s relationship. I would love nothing more than a sequel about their marriage and lives after Pride and Prejudice.

  1. Totally Should’ve had a spin off series

Harry Potter. I mean let’s be honest, it’ll more than likely happen eventually and J.K. Rowling has already written The Cursed Child but so far that’s not a series. I would love a series based on James and Lily’s time at Hogwarts but mostly because I need Snape back in my life.

  1. An author who totally should write more books

Nathan Filer. If there’s ever a book that broke my heart, it’s The Shock of The Fall. I loved this book from start to finish and I cried more than I’ve ever cried over a book. Nathan Filer is an amazing author and I honestly can’t understand why he hasn’t written anything more.

  1. A character who totally should’ve ended up with someone else

Peeta Mellark. I just feel he deserves someone who loves him more than Katniss does. It’s not that I really care who Katniss ends with because she had plenty of options but Peeta was one of the nicest characters I’ve ever read and I feel like he ends up with a girl who just settles with him because the guy she really loves potentially killed her sister.

  1. Totally should’ve ended differently

I didn’t like the end of Miss Peregrine’s Home For Peculiar Children and I felt no inclination to read the second book in the series as I found the first one a little muddled. I have real issues with the act that no one cares that a child has gone missing and the fact that Jacob doesn’t seem to give a second thought to the fact that he’s leaving his family behind for a group of people he hardly knows.

  1. Totally should’ve had a movie franchise

There’s always a chance it will be turned into a film because this is still a pretty new book but I’d really love to see To All The Boys I Loved Before turned into a movie. It has a typical YA plot but it has some really strong characters and I think it would make a great film… Let’s be honest, we all want Kitty to be real.

  1. Totally should’ve had a TV show

I feel there’s a strong chance that The Lunar Chronicles will be made into films but personally I would love for the book series to be made into a TV show. By making them a TV show it means that they can dedicate a lot more time to actually getting to know the characters and we can have a bit  of back story. I would quite happily watch a full series per book and there’s potential to also include Fairest and Stars Above into it.

  1. Totally should’ve only had one point of view

I honestly can’t tell you a book where I think different points of view don’t work. I love knowing more about the characters and having more than one narrative is the perfect way to do this. If I’ve ever had a problem with a book, it’s because of the plot or writing style not the different views.

  1. Totally should’ve a cover change

I really hate the covers for The Summer I Turned Pretty. As a general rule, I hate covers with real people on, from time to time it works but as a general rule people should not be used for covers.

  1. Totally should’ve kept the original covers

The Gone series by Michael Grant. I’ll be honest when I tell you that I judge books by covers and Gone instantly grabbed my attention with it’s mostly black cover and coloured pages but after reading Gone and Hunger, I went to buy Lies and could only find the new cover with people on it.

  1. Totally should’ve stopped at book one

The Maze Runner. I’m really sorry to all of you guys who loved this series but I thought the books just got worse and worse as they progressed. I would have been happier if The Maze Runner had of been an extra two hundred pages, they could then skip The Scorch Trials and sum up The Death Cure in the last couple hundred pages. The Kill Order was completely unneeded.